Sponsored by Oxbow Books & The Council for British Archaeology
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We were surprised at the popularity of the competition and delighted by the diversity and quality of the entries of our new photography competition. It is with great pleasure that we now announce the winners.
Sponsored by Andante Travels
Michael Conrick
Castlerigg Stone Circle 07.01.09, Keswick, Cumbria.
Inspired by the oracular writings of archaeologist and rock 'n roll Odinist Julian Cope, I set off in the winter of 2008/9 to steep myself in the atmospheres and poeses of
Michael Conrick
Chosen by Julian Richards , archaeologist, author, broadcaster and presenter of BBC's "Meet the Ancestors" (www.archaemedia.com) Julian said this of his choice:

"I chose this because it is a very striking image, almost monochrome, of the site in the snow. What really makes it are the footprints leading towards the stone circle. It embodies the idea of people going out and exploring – wanting to visit special places like this even in a bleak January after snowfall. It also reminds me that in visiting any such sites, we are following in the footsteps of our ancestors, the people who built them in the first place".
Sponsored and chosen by Oxbow Books, Oxford
Lee Robinson
Buddha head entwined, Ayuthaya

We had been told that cycling around the ruins of Ayuthaya was the best way to see them, unfortunately we had hired the most uncomfortable bicycle I have ever had the misfortune to ride.
None-the-less Ayuthaya is amazing, called the Venice of the east because of the many rivers that flow into it, it is scattered with ruins surrounded by green fields and canals.
Founded in 1350, by King U-Thong of Siam, by the 17 century it became one of the largest cities in the world with over 1 million inhabitants. You can only imagine its original splendor now as in 1767 the Burmese invaded and burnt the city to the ground, what remains now are the ruins of the once stunning palaces, temples and stupas, as well as hundreds of decapitated Buddhas in varying states of decay.
We arrived at Wat Mahathat feeling a little hot and sore. I had come to see the head of the Buddha entangled in the Banyan tree or Strangler Fig. As we approached we were instructed to bend low, this was Buddha and we should show our respect.
Lee Robinson leerobinsonphotography.co.uk
Sponsored and chosen by Andante Travels in the Ancient World
Uli Kunz
Diver measuring prehistoric human bones, cenote, Yucatan

Uli is sending us his story to go with the photo shortly....
Sponsored and chosen by The Council for British Archaeology
Brian Kerr
Rock art at Ketley Crag, Northumberland

"I chose the image of the Ketley Crag carvings because of the unique qualities of the carvings, the site itself and the location within the landscape.
When you sit in the shelter today, you are alone in the vastness of the landscape, absorbing the view, trying to imagine being there thousands of years ago, running your fingers over the carvings, you are only one of a small number of people who have seen the carvings since they were carved all those years ago. A very powerful place, beautiful carvings, a very emotional visit.
The perfect landscape, the perfect light, the perfect time of day, with the extra help from side flash to illuminate the carvings, this has produced this special once-in-a-lifetime photograph."
Brian Kerr
Sponsored and chosen by Oxbow Books, Oxford
James Kellie
Lucia Gahlin
, Andante guide, explaining in Saqqara

Context of photo:
Saqqara was the first stop on Andante's 'Land of the Pharaoh's' tour. In the morning we had visited Djoser's step pyramid, the first in Egyptian history. Our heads had to get round the unfamiliar names of third dynasty rulers in the third millennium BC. Our tour guide, Lucia Gahlin
brought to life the evocative and photogenic buildings of the temple complex.
After lunch, we jumped forward 300 years to the sixth dynasty by visiting Teti's tomb; the pyramid no more than a heap of rubble despite its Egyptian title 'The pyramid which is enduring of places'. Underneath this, the actual tomb contained the real treasures, no longer valuables but beautifully moulded texts, extolling the pharaoh and his actions in preparation for the afterlife.
Lucia expounded them to us in the cramped conditions of Teti's burial chamber; her gestures seemed to call out to the gods just as Teti's script had. The photo's 'moment of truth' arrived!
Our first day was a magnificent introduction to the subsequent tour up the Nile and forward historically to more familiar pharaohs and their deeds over the next three thousand years.
For the technically minded:
The photo was taken on a Canon G70, a pocket-sized digital camera. Outside I use a higher grade digital SLR, but the suspicions of the modern temple guardians are aroused by such bulky equipment. Surprisingly there was just enough light to take the shot at 1/30 sec without flash; available light evokes atmosphere as well as minimising disturbance to guardians and visitors. Judicious photo-editing reduced the effects of stretching the camera's sensitivity to ISO 1600.
James Kellie
All winners have been notified by email. Prizes are as follows:
Overall Winner - Michael Conrick: Canon 500D camera or £500 off the Andante holiday of his choice.
Big Names in Archaeology -Lee Robinson: £100 worth of books from Oxbow Books, specialist archaeological bookseller, Oxford
Endangered Archaeology - Uli Kunz: 100Euro worth of books of choice
Best of British Archaeology - Brian Kerr: membership of the Council for British Archaeology and £100 worth of books published by them
People and Archaeology - James Kellie: £100 worth of books from Oxbow Books, specialist archaeological bookseller, Oxford
More information to follow
Hermes (the Roman Mercury) was the protector of many things in mortal life: messengers and heralds, shepherds and goatherds, and he was the local god of Arcadia in the Greek Peloponnese. Although poets and painters later turned it into a romantic idyll, ancient Arcadia was a poor and backward region of barren hills, only suitable for keeping sheep and goats. Our figurine was almost certainly made there in the later 6th century BC, probably as an offering at a shrine. There were many sanctuaries scattered through the mountains of Arcadia sacred to a great variety of deities; one of the most important was on Mount Lykaion, where there were sanctuaries of both Zeus and Pan.
Our bronze came without an archaeological provenance, so why do we think he is Arcadian? I have discussed the figure with colleagues at the British Museum and elsewhere, and we are all agreed that the stocky build, the rather crude rendering of the facial features such as the boot-button eyes, the 'pilos' travelling hat and boots are typical of Arcadian work of this period: there are similar pieces from Arcadia in museums in Athens, Boston, Berlin and elsewhere.
The bronze has a beautiful shiny, smooth blue-green patina: such good patina often rings a warning bell for the professionally suspicious curator since it is easy to manufacture, but our early doubts were resolved by a scientific examination kindly carried out at the Department of Scientific Research at the British Museum. Further study of the surface under the microscope showed that goat and god had been together all their lives, and not fastened recently.
There are many points which make this piece interesting, and which deserve further research. Hermes is often shown holding a lamb or a ram, but goats are unusual. I am sure the creature is a goat and not a ram, partly because of the way in which the shagginess of its coat is distributed around the neck and hind legs, but above all because of the little tail that turns up from the creature's rump, and because of the way in which the horns grow straight and grow centrally from the forehead. A sheep's horns are more widely set and normally grow outwards in a much stronger curve. Hermes with a goat appears on Greek vases, but really only in scenes of sacrifice or of comedy or parody. Searches through the literature and museum displays have not so far produced any three-dimensional goat-carriers: why not?
We are all familiar with the parable of the sheep being separated from the goats, where the former inherit the Kingdom of Heaven and the latter are damned to eternal punishment, but there is no particularly negative attitude to goats in Greek and Latin literature: why should there be? 'Goats can provide the peasant farmer and nomadic pastoralist with all their physical needs, clothing, meat and milk as well as bone and sinew for artefacts, tallow for lighting, and dung for fuel and manure. Goats will complement a flock of sheep, which are perhaps usually easier to herd, by browsing on thorny scrubland whilst sheep prefer the grass' – so Juliet Clutton-Brock in her A Natural History of Domesticated Mammals (Cambridge 1987). On the other hand goats are destructive in their omnivorous approach to vegetation (they are held to be one of the causes of the desertification of the Sahara and parts of the Near and Middle East), and anyone who has come face to face with a goat will have felt the wildness if not malevolence in those yellow eyes with their horizontal irises.
One reason for the preponderance of sheep-carriers suggested to me is that sheep relax when they are lifted up and carried in this fashion but goats are more likely to struggle. Hermes is the Classical Greek 'Good Shepherd', but in Late Roman iconography he takes on the role given to the Virgin Mary in early Christian art with the infant Dionysus in his arms, illustrated most vividly in the mosaics at Paphos in Cyprus but already foreshadowed in the famous marble Hermes at Olympia of the fourth century BC attributed to the famous sculptor Praxiteles and familiar to many visitors to Greece.
Our little figure may be a rustic work by comparison with the Praxitelean masterpiece, but for all that it gives me a certain wry satisfaction to know that the last acquisition I made in 36 years' service at the Manchester Museum is of a figure of the god of merchants and of thieves, and thus surely also of museum curators and archaeologists.
Written by Professor John Prag FSA

Guests who have travelled on our ‘
ANDANTE ARCHAEOLOGICAL PHOTO COMPETITION 2010
THE WINNERS
All winners are now being contacted. The final result will be announced tomorrow, 10th August.
Will 
Lee Robinson, Winner: Big Names of Archaeology, sponsored by Oxbow Archaeological Books (Buddha head entwined, Ayutthaya)
We had been told that cycling around the ruins of Ayuthaya was the best way to see them, unfortunately we had hired the most uncomfortable bicycle I have ever had the misfortune to ride.
None-the-less Ayuthaya is amazing, called the Venice of the east because of the many rivers that flow into it, it is scattered with ruins surrounded by green fields and canals.
Founded in 1350, by King U-Thong of Siam, by the 17 century it became one of the largest cities in the world with over 1 million inhabitants. You can only imagine its original splendor now as in 1767 the Burmese invaded and burnt the city to the ground, what remains now are the ruins of the once stunning palaces, temples and stupas, as well as hundreds of decapitated Buddhas in varying states of decay.
We arrived at Wat Mahathat feeling a little hot and sore. I had come to see the head of the Buddha entangled in the Banyan tree or Strangler Fig. As we approached we were instructed to bend low, this was Buddha and we should show our respect.
Lee Robinson leerobinsonphotography.co.uk

Brian Kerr, Winner: Special Category - Britain, sponsored by the Council for British Archaeology (rock art at Ketley Crag, Northumberland)
"I chose the image of the Ketley Crag carvings because of the unique qualities of the carvings, the site itself and the location within the landscape.
When you sit in the shelter today, you are alone in the vastness of the landscape, absorbing the view, trying to imagine being there thousands of years ago, running your fingers over the carvings, you are only one of a small number of people who have seen the carvings since they were carved all those years ago. A very powerful place, beautiful carvings, a very emotional visit.
The perfect landscape, the perfect light, the perfect time of day, with the extra help from side flash to illuminate the carvings, this has produced this special once-in-a-lifetime photograph."
Brian Kerr
James Kellie, Winner: People and Archaeology, sponsored by Oxbow Archaeological Books (Lucia Gahlin , Andante guide, explaining in Saqqara)
Context of photo:
Saqqara was the first stop on Andante's 'Land of the Pharaoh's' tour. In the morning we had visited Djoser's step pyramid, the first in Egyptian history. Our heads had to get round the unfamiliar names of third dynasty rulers in the third millennium BC. Our tour guide, Lucia Gahlin
brought to life the evocative and photogenic buildings of the temple complex.
After lunch, we jumped forward 300 years to the sixth dynasty by visiting Teti's tomb; the pyramid no more than a heap of rubble despite its Egyptian title 'The pyramid which is enduring of places'. Underneath this, the actual tomb contained the real treasures, no longer valuables but beautifully moulded texts, extolling the pharaoh and his actions in preparation for the afterlife.
Lucia expounded them to us in the cramped conditions of Teti's burial chamber; her gestures seemed to call out to the gods just as Teti's script had. The photo's 'moment of truth' arrived!
Our first day was a magnificent introduction to the subsequent tour up the Nile and forward historically to more familiar pharaohs and their deeds over the next three thousand years.
For the technically minded:
The photo was taken on a Canon G70, a pocket-sized digital camera. Outside I use a higher grade digital SLR, but the suspicions of the modern temple guardians are aroused by such bulky equipment. Surprisingly there was just enough light to take the shot at 1/30 sec without flash; available light evokes atmosphere as well as minimising disturbance to guardians and visitors. Judicious photo-editing reduced the effects of stretching the camera's sensitivity to ISO 1600.
James Kellie

Uli Kunz, Winner: Endangered Archaeology, sponsored by Andante Travels (diver measuring prehistoric human bones, cenote, Yucatan)
The overall winner has yet to be chosen by Julian Richards , author, archaeologist and presenter of "Meet the Ancestors" series on BBC2. They will receive a Canon EOS 500D or £500 off one of our holidays. Julian may choose from any of the entrants.
We had been told that cycling around the ruins of Ayuthaya was the best way to see them, unfortunately we had hired the most uncomfortable bicycle I have even had the misfortune to ride.
None the less Ayuthaya is amazing, called the Venice of the east because of the many rivers that flow into it, it is scattered with ruins surrounded by green fields and canals.
Founded in 1350, by King U-Thong of Siam, by the 17 century it became one of the largest cities in the world with over 1 million inhabitants. You can only imagine its original splendor now as in 1767 the Burmese invaded and burnt the city to the ground, what remains now are the ruins of the once stunning palaces, temples and stupas, as well as hundreds of decapitated Buddhas in varying states of decay.
We arrived at Wat Mahathat feeling a little hot and sore. I had come to see the head of the
Buddha entangled in the Banyan tree or Strangler Fig. As we approached we were instructed to bend low, this was Buddha and we should show our respect. It is an enchanting sight to behold and one that remains a mystery, how the head became entangled in the tree is still unknown but as such makes this archeological treat even the more appealing.
Recent archaeological work at the Ness of Brodgar has produced some very exciting results – see this link for the details. We don't know how much of the excavations will be visible when we visit, but this is an intriguing indication of what is currently coming out of the ground'.
Click here for more details on Ness of Brodgar
Click here for more information about our Archaeological vacation to Orkney and Shetland
If you are a Bare Bones traveller, we wondered if you would you like a free Bare Bones tee-shirt for yourself or someone you know?
These are simple, round-necked, short sleeved, 100% cotton tee's with a discreet logo on the chest with a whimsical gallery of skeletons in ancient attire on the back.
We are giving away 53 of them as listed below.
Hurry, once they've gone, that's it!
Cornflower Blue
Women's
Size 8 = 2
Men's
Small = 2
Mid-earth Brown
Women's
Small = 5
Medium = 0
Large = 0
Men's
Small = 3
Medium = 1
Large = 0
Country Green
Women's
Size 8 = 5
Size 10 = 2
Size 12 = 0
Size 14 = 0
Men's
Small = 2
Medium = 0
Large = 0
X-Large = 0
If you would like a t-shirt please ring us on 01722 713800 or This e-mail address is being protected from spambots. You need JavaScript enabled to view it

The exact line of the Frontier in Tunisia has been researched only sporadically, and little has been published. Few people are clear about the border where the Empire and the nomadic tribes of the inhospitable Sahara met, and it is very hard to find the evidence on the ground.
So Dr Denise Allen , deputy director of Andante Travels, decided to undertake some practical research herself. She and a colleague from the company, Mary Reynolds , set out on an exciting quest to find and identify the ruins of the clausurae, the stretches of wall and fortifications which marked this frontier.
To the best of our knowledge, this is a first in the travel industry – where the travel company makes the identifications, and possibly even some discoveries along the way. On her return, Dr Allen shared what she had seen with colleagues in the world of archaeology – many of the discoveries made with the help of local people keen to tell of ancient walls they had seen in the sands....
In search of the southern frontier of Roman Africa.
We have been taking people to see the best of the ruinous Roman towns in northern Tunisia for many years – in fact this was the first Andante tour to be set up outside Europe nearly 20 years ago. We have also, over many years, taken our guests to the south, to see the extraordinary landscapes and ancient and historic architecture around the edges of the desert.
The missing element has always been the frontier itself, marking the limit of the Empire to the south, beyond which lies the huge and inhospitable Sahara. This natural buffer meant that a continuous frontier wall was unnecessary; the limes therefore comprises clausurae – stretches of wall which crossed routes between the north and south, controlling the movement of people in and out of the Province, and protecting the cultivated fields of the most fertile regions. Many lie in what are now remote and inaccessible spots, but roads in the south have been much improved in recent years, and after some research we determined to discover and include some of these sites.
Research is all very well, but someone needed to check the accessibility of these sites first-hand. Together with Mary Reynolds I set off in July on the quest for the wall.
We had found short written references to surviving wall and fort remnants along the frontier, and then looked up the directions on Google Earth, also tapping into the expertise of our Guide Lecturers with knowledge of Roman frontiers in the Sahara zone. Our armoury was therefore a sheaf of printed matter and maps with markers on them.
Our Local Guide in Tunisia, Mehdi Mansour, had been briefed to be our guide for the quest, and he had given up on scant written references, heading instead to the area through which we would be travelling to ask the local nomads if they had noticed any unusual stones and structures in the empty semi-desert zone around the chotts, or salt lakes, which divide Tunisia in two. We met up in Djerba and compared notes and maps before heading further south.
What followed was a wonderful journey, much of it off-road over uneven and solitary tracks, stopping at an extraordinary series of features which were potential candidates for the frontier. I had a field (archaeologist's) day trying to identify them all ... some were red herrings, though fascinating nonetheless: a possible Numidian tomb with circular stone kerb and flint scatter round about (fig 1), an abandoned troglodyte house (fig 2), stretches of tabular natural rock which make a very good attempt to pass themselves off as built walls (fig 3).
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Some, though, had the large rectangular masonry blocks characteristic of Roman construction, and had clearly once been small forts, with surface scatters of Roman pottery, one small bronze coin and even some possible oyster shells contributing to the body of evidence. One long stretch of ‘wall shadow’ could be discerned at one such site, with a bank and ditch and linear scatter of facing stones. Other remnants lie within existing oasis settlements – in the foundations of a minaret tower, and amongst the irrigation channels of a palmery. We (re)discovered enough sites for a whole off-road and very adventurous Roman frontier tour.
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The best, most spectacular and most accessible stretches we have, however, included in our tour this November - a well-surfaced road south-east of Gafsa passes through an extraordinary stretch of wall, clinging precipitously to the ridged rocky ranges north of the chott. It is a puzzle, as although it is documented as a stretch of clausura, it appears to have an aqueduct channel, lined with plaster, running along the top of some of it. If this is so, where on earth was the water coming from? Guests on our tour will have the chance to see it and consider for themselves, but whatever it has been used for, it is a mighty length of masonry.
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We will be travelling further south into the desert this year than we have been before, where our accommodation will give us a real taste of oasis life at Ksar Ghilane. White canvas star-shaped tents are spread through the oasis, but the authentic camping experience is tempered by the fact that the tents have solid floors, a solid-walled en-suite bathroom (including a shower), electric lights and air-conditioning (vital in early July, perhaps less necessary in November when our tour will take place). With a proper bed, room to stand up and move around and small table and chair, this is a very good compromise between camping and comfort. It is pleasingly low-key; the word ‘luxurious’ is only really applicable in the context of camping, but there is a lovely swimming pool, which provides a focus for al fresco evening dining, and a look-out tower in the centre of the camp which affords wonderful views over the oasis, especially at sunrise and sunset.
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Best of all, there is a well-preserved Roman fort in the real sand-sea desert less than an hour’s camel ride away! Just visible on the skyline as you start your journey, this was one of the remotest outposts of the Empire. The ride takes 50 minutes each way, up and down dunes, and we were the only four humans visible in the landscape (three riding and one leading us). The small fort is well-preserved with some recent consolidation work apparent, and an inscription to Jupiter, Greatest, Best and Victorious still visible on a lintel.
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From here we will travel north again along the only good access road to the oasis, passing through ksour country – these are the fortified granaries constructed by the berbers, especially in the 17th to 19th centuries, to Medenine, and the rest of our programme. The road east from the oasis is still barely passable by 4x4 let alone coach, and we will therefore not be able to take the short route to Ksour Ouled Soltane, one of the most famous (and most visited) of the granary sites, as we had hoped. This visit will therefore be replaced by the lesser-known, but also well-preserved, ksour further north.
We feel we now have an excellent southern leg to our tour through Tunisia, with a real taste of the desert and lots of unusual archaeology – it was another wonderful adventure which we will be sharing with our guests.
Sponsored by Oxbow Books & The Council for British Archaeology
We were surprised at the popularity of the competition and delighted by the diversity and quality of the entries of our new photography competition. It is with great pleasure that we now announce the winners.
OVERALL WINNER
Sponsored by…
One of the last pieces I acquired before retiring from the Manchester Museum in 2006 was a small bronze figure of the Greek god Hermes, the ancient messenger-god. He is only 9.5 cm tall, and stands with both arms outstretched from the elbows, holding a small goat on his left…
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